"He does a great downward dog"
(12:08:37 AM) Ben Kawaller: you think they're all delightful
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Indeed, to read The Complex is to see, writ small, the very moral and intellectual turpitude that’s delivered us headlong into our recent geopolitical disasters. It’s a document directed at an audience hungry for easy, comfortable dissent. What a morbid joke that its true allegiance is to the Rumsfeldian heresy, the Cheney canard, that a fact is simply something that sounds like a fact, that caring about distinctions in scale and kind is the pastime of the weak, that evidence should be regarded less as genuine appeals to truth than munitions to be indiscriminately lobbed at the recalcitrant until one explodes with enough damage that there becomes no choice but to submit to the “conclusion” that was your starting point.
There was one arrest at the latest Soulja Boy concert at U.S. Cellular Coliseum. A 12 year-old boy was taken into custody Wednesday night for throwing a rock through the windshield of Soulja Boy's bus. Why? The kid told arresting officers, "I hate Soulja Boy."
WH: Whatever it is, it makes people talk, and they say things that they would never say to any one of you here in the audience. They wouldn’t say it to me either, but Errol makes it by dint of his face.
EM: It becomes a documentary, whatever that is, by the element of the unpredictable. Now Werner goes to Antarctica. He has a limited amount of time and a limited amount of materials. He has no way of doing any kind of prep. And so the movie emerges. It’s emergent, if you like, from just what happens there. I feel that the element of spontaneity—and there’s a strong element of spontaneity, of the uncontrolled, of the unrehearsed, the unplanned, in every single film he’s made.
WH: Yeah, that’s where real life enters.
EM: I feel that element of spontaneity because so much of what I do is controlled. The element of spontaneity is not knowing what someone is going to say to me in front of the camera, having really no idea, of being surprised. I know that there’s this moment in all of the interviews that I’ve loved where something happens. I had this three-minute rule that if you just shut up and let someone talk, within three minutes they will show you how crazy they really are. And it has happened time and time and time again.
WH: And you have a great sense for the afterthought. The interview is finished, it’s over, and Errol is still sitting and expecting something. Then all of a sudden there comes an afterthought, and that’s the best of all.